Retro Music Review | Oldies, Reissues and New Releases with a Retro Sound

Barry Levenson - The Late Show (Rip Cat Records; RC 1101)
reviewed by Michael Macomber

Guitarist Barry Levenson knows your blues. On this mostly instrumental album, he tells the story of your life with his strings. He knows your ups, your downs, your struggles, your triumphs.

On “Meters Runnin’”, he recalls that night you were kindah upbeat, happy and a little too drunk, walkin’ your walk and spendin’ your paycheck like it was wine. He knows what you said to that woman you met at the bar, he knows how you laughed when she threw a drink in your face, he knows you finger-snapped your way home and never did go back to settle up for the damage you did to the men’s room door.

The sparse and intense “Steel Life” finds Levenson recounting your hard-working week. The muscles across your back stretch over the bridge of his instrument, taking on more weight and more pain, knowing there is no other choice. Sometimes Levenson is the foreman, looking down on you with disdain. Sometimes he’s the sun, burning straight into your eyes. Sometimes he’s a friend with a glass of water and a smoke, a short break, before it’s back to the job.

And on “Charlie’s Ride”, he remembers that fine lookin’ lady you danced with all night long last weekend. And he reminds you that her number is in your wallet.

From the kick of “Riley’s Shuffle” to the heart-rending truth of “Blue Tears”, from the mysterious melancholy of “The Late Show” to the too-hot cool of “Turn Up the A.C.”, Barry Levenson knows your blues. Just back up and let the man tell the story.

Andy Poxon Band - Red Roots (EllerSoul Records)
reviewed by Michael Macomber

OK, we could go into all the hyperbole about how amazing it is that a kid of 16 could write, play, record and produce such an incredible album. But let’s put that aside for the moment. Forget that blues guitarist/singer/songwriter Andy Poxon is so freakin’ young. Just spin this disc, kick back, and marvel at one of the finest genre blending artists to hit the scene in a very long time.

Poxon pulls influences from rock, blues, rockabilly, pop, country, soul, jazz, ad infinitum, and folds them seamlessly into one another. His voice has texture and truth, his lyrics come from genuine emotion, his arrangements are heartbreaking and heart-racing, toe-tapping and tearful, and most importantly, 100% effective. He knows how to bend your emotions with those strings.

“Hottest Thing in Town” echoes the swing-a-billy mix of the Stray Cats, while never becoming an imitation. The badass funky groove of “No Love” is utterly irresistible, recalling the best of Allen Toussaint. “I Want You So Bad” is a sweet, gentle blues ballad, wide-eyed and romantic, utterly gorgeous. “I’ll Sing the Blues” is as heavy duty as anything out of the big-muscle rock n roll blues of the late 60s, with a drop of a Cream for good measure. And when Poxon declares “I can’t get my feelings wrong”, he hits on a universal truth of the form that is pretty darned perceptive for an artist of any age.

Poxon and his Band have recorded a great blues album, with many more to come, no doubt. Keep an eye on this guy. He may actually bring the genre back to national prominence.

For more info on Andy Poxon and his album “Red Roots”, visit http://ellersoulrecords.com and http://www.andypoxon.com.

Kaye Bohler - Like A Flower (The Kaye Bohler Band; KB 2009)
reviewed by Michael Macomber

I’m telling ya, this lady has more than a little Aretha in her big, beautiful blues belt. She isn’t a sound-alike by any means, but she has that kind of power, that kind of nuance and that kind of emotional resonance. Her stylistic range is impressive too. “Wasted On You” opens like a smooth R&B number, but gradually resolves itself into a self-empowering declaration in the “R-E-S-P-E-C-T” class. “Constant State of the Blues” is a mix of thumping blues and 60s soul, pulsing with pain and rhythmic power. As her story gets more and more dire, the edge in her beautiful voice gets sharper and sharper. It becomes clear that nothing, and I mean nothing, can get in her away.

Of course, Ms. Bohler is much more than a magnificent set of pipes. It also turns out she’s a killer songwriter, author of every tune on this disc. Once again, her range is incredible. “I Got to Know” is a jump blues n’ swing number that could have come right out of the ’40s. “Another Man’s Arms” is badass Curtis Mayfield soul, the hit single from a film soundtrack that never was. “My Heart Beats for Him” could have come directly from the pen of Mr. Cole Porter. Her vocal approach on this one is so Billie Holiday it’ll give you shivers. Again, no imitation, but rather emulation. She is so gentle, so subtle, so glorious.

If you miss the gold old days–whether those days were in the 40s, 50s, 60s, or 70s–or you just want to curl up with the true sound of rhythm n’ blues, Kaye Bohler’s “Like a Flower” will fill the bill. Utterly breathtaking.

Los Fabulocos Featuring Kid Ramos (Delta Groove Music; DGPCD125)

America’s rich multi-cultural and multi-ethnic musical heritage is beautifully represented on the self-titled Delta Groove label debut from California’s Los Fabulocos. Featuring legendary guitarist Kid Ramos, of Mannish Boys and Fabulous Thunderbirds fame, this Cali-Mex quartet blends rockabilly, rhythm and blues, country, and traditional Spanish and Mexican influences, to paint an ever shifting portrait of vintage rock and roll… READ MORE

Jackie Payne Steve Edmonson Band - Overnight Sensation (Delta Groove; DGPCD 123)

With a combined 60 years of experience playing soul and blues all around the world, Jackie Payne and Steve Edmonson are uniquely qualified to produce music that sounds both utterly fresh and undeniably nostalgic. In an era when music in general seems to have lost its soul, these two veterans have released an album infused with true passion and a timeless groove… READ MORE